Utah’s Logan J. Blackman or the climb of a music conducting expert
Paducah’s Logan Blackman or the climb of a music orchestra conducting expert: When Blackman got to the University of Kentucky, he started working on adapting “Prayer” into an orchestral work, at first simply transcribing it. But then, he started to do more, and the work attracted attention. “He joined the orchestra as an undergraduate bassoonist, and it soon became clear that his interests were wider than just playing the bassoon,” UK Symphony Orchestra director John Nardolillo says. “I knew he composed, and he asked me if I would look at the score to this piece he’d been working on. Then he asked if he could take some conducting lessons. So he was working on conducting and I looked at the score, and the score is interesting, and his level of commitment and involvement and interest in conducting, composition and performing is quite high. The story of the piece is compelling, and it seemed like we were in a position to help him with those things. Read extra details on Logan Blackman Utah.
Let’s start by having you describe your sound to our readers… Logan J. Blackman : Symphonically, my sound is very grand and cinematic. However in my chamber works, I tend to take a much lighter tone. My Bassoon Duets, “The Logic of a Mad-Man” is nothing but one big satire/comedic piece. Is it true you’ve been making music since you were a child? Logan J. Blackman : Yes! I have been making music since I was 12, but I began writing at around 14.
Doors for the UK Symphony Orchestra concert open 7 p.m. Friday, Feb. 17, with music beginning at 7:30 p.m. Tickets are $10 for general admission, $5 for students, and free for UK students with a valid ID before the day of the performance (only purchase in person at the Singletary Center ticket office). A processing fee will be applied to tickets upon completion of transaction. Tickets are available through the Singletary Center ticket office online at www.scfatickets.com, by phone at 859-257-4929, or in person at the venue.
The introspective and ceremonial musical elements introduced in the first two movements of the Meditations culminated in the third and Karp unified them with great strength. His skillful phrasing, subtle dynamics and bold accents were spellbinding. Rhythmic drums paved the way for Karp’s solo ruminations and when the gong sounded, the strings followed his lead into a shamanistic fury of dance, highly spiritual and celebratory. Then Karp imposed a cathartic sense of calm with a wistful melody before he engaged us with amazingly intricate bowing like an oracle intermittently disseminating words of wisdom. The drum and the harp accompanied the fading tones of his good counsel and left me in reverie, wanting to hear more.
With a passion for composing, Blackman finds writing his own work very rewarding. “After I put down the last note, I love looking back at the work as a whole and admiring what I have created. To me that is one of the greatest feelings in the world!” Blackman, who chose UK for his studies based on Lexington and the school’s orchestra and faculty, is excited for the opportunity to share his music with a Bluegrass audience at the next UK Symphony Orchestra concert. “This is the greatest honor of my life so far. It is an honor to premiere a work with such a distinguished ensemble, but it is an even greater honor to bring it to life with my friends and colleagues. I am very grateful for this amazing opportunity.” Discover additional details at Logan J. Blackman.