Category Movies

123movies2d top movies free online now? Anime’s king of feels Makoto Shinkai conquered the world in 2016 with his body-swap romance Your Name, a massive global hit that’s (of course) set for an American remake. So it’s not a surprise that he’s stayed in similar teen-fantasy-romance territory for his follow-up, about a young runaway to Tokyo and the orphaned girl he falls in love with — a girl with the power to bring the sun out, however briefly. What is surprising is the moodiness of Weathering With You, a love story for an era of climate change that staunchly refuses the idea that the young have to sacrifice themselves on the altar of the decisions of previous generations. It’s darker and less deliriously swoony than Your Name, but its emotions are just as big — big enough to change the course of the future.

For a certain type of moviegoer, any film where Nicolas Cage says the word “alpacas” multiple times is worth seeking out. Luckily, Color Out of Space, a psychedelic adaptation of H.P. Lovecraft’s short story from 1927, offers more than just furry animals and unhinged Cage theatrics. Mixing hints of science-fiction intrigue and bursts horror movie excess, along with a couple splashes of stoner-friendly comedy, Richard Stanley’s proudly weird B-movie vibrates on its own peculiar frequency. Cage’s Nathan, a chatty farmer with a loving wife (Joely Richardson) and a pair of mildly rebellious kids, must contend with a meteoroid that crashes in his front yard, shooting purple light all over his property and infecting the local water supply. Is it some space invader? A demonic spirit? A biological force indiscriminately wreaking havoc on the fabric of reality itself? The squishy unknowability of the evil is precisely the point, and Stanley melds Evil Dead-like gore showdowns with Pink Floyd laser light freak-outs to thrilling effect, achieving a moving and disquieting type of genre alchemy that should appeal to fans of Cage’s out-there turn in the similarly odd hybrid Mandy. Again, you’ll know if this is in your wheelhouse or not.

Historical changes often have humble beginnings, as was the case with the American Disabilities Act (ADA), whose origin is Camp Jened, a 1970s summer getaway for disabled men and women in New York’s Catskill mountains. James LeBrecht and Nicole Newnham’s documentary is the story of that quietly revolutionary locale, where disrespected and marginalized handicapped kids were finally given an opportunity to simply be themselves, free from the judgement of those not like them. What it instilled in them was a sense of self-worth, as well as indignation at the lesser-than treatment they received from society. Led by the heroic Judy Heumann and many of her fellow Jened alums, a civil rights movement was born, resulting in the famous San Francisco sit-in to compel U.S. Secretary of Health, Education and Wellness Joseph Califano to sign Section 504 of 1973’s Rehabilitation Act, and later, the ADA. Intermingling copious footage of Camp Jened and the movement it produced with heartfelt interviews with some of its tale’s prime players, Crip Camp is a moving example of people fighting tooth-and-nail for the equality and respect they deserve – and, in the process, transforming the world. See additional info at 123 movie.

Whenever we start any discussion of the best media players and how great they are, the name VLC automatically comes at the top. But, why is it so? What’s the reason behind its massive popularity? VLC Media Player is a free and open-source media player that’s available for all popular platforms. Created by the VideoLAN project, VLC Media Player is known to support a vast number of audio and video compression methods and file formats. Over the years, VLC has earned the reputation of being the “play everything” video player. VLC is one of the best PC media players due to its fast and simple nature that doesn’t involve any painstaking steps. The software also features different customization options that can help you improve your viewing experience and change the look of the player. It’s also often used a streaming media player. This amazing Windows Media Player alternative also receives frequent updates and has a large user community. It runs on all Windows versions, from Windows 10 to Windows XP SP3. From time-to-time, this free movie player keeps receiving new features and updates. You can also check out our dedicated article on VLC tricks.

Tom Hardy’s gift for hulking intensity and charismatic growling are in full effect in Capone, a fictionalized account of the last year in the life of the legendary American gangster. Trapped in a palatial Florida estate, his mind deteriorating thanks to neurosyphilitic dementia, Al Capone (Hardy) rants, raves, soils himself and freaks out over hallucinatory visions of people, and events, from his past. Writer/director Josh Trank’s film is a subjective affair told largely from Capone’s POV, so that nothing can be trusted and yet everything speaks, symbolically, to the man’s deep-seated ambitions, fears and misgivings. It’s a headfirst dive into delusion, told with free-flowing suspense and absurd comedy, all of which comes to the fore during a late scene in which Capone opens fire on his friends and family with a giant golden tommy gun while wearing a diaper and chomping on a cigar-like carrot. Part Cowardly Lion, part Bugs Bunny, and altogether ferocious even as his sanity frays, Hardy’s Capone is yet another triumph for the star, who ultimately captures his protagonist less through imposing physicality than via his dark, glassy, lost eyes. Find even more details at this website.

PopcornTales top movies reviews? No matter that her characters are plagued by malevolent supernatural forces, Natalie Erika James’ directorial debut is a thriller with grimly realistic business on its mind. Called back to their rural Australian childhood home after matriarch Edna (Roby Nevin) goes temporarily missing, Kay (Emily Mortimer) and daughter Sam (Bella Heathcote) discover that the past refuses to remain dormant. The specter of death is everywhere in this rustic residence, whose cluttered boxes and myriad artifacts are reflections of its owner’s mind, and whose creepy wall rot is echoed on Edna’s aged body. Edna’s vacant stares and strange behavior are the catalyst for a story that derives considerable suspense from unnerving set pieces and, more pointed still, the question of whether everything taking place is the result of unholy entities or the elderly woman’s physical and mental deterioration. That balance is key to Relic’s terror as well as its heart, both of which peak during a claustrophobic finale set inside a literal and figurative maze, and a coda that suggests that there’s nothing scarier, or kinder, than sticking with loved ones until the end.

Haley Bennett is absurdly good as a Hudson Valley housewife who’s sleepwalking through a controlling marriage until a psychological disorder forces her into awareness. Carlo Mirabella-Davis’s psychological drama is an exploration of domestic oppression and unexamined expectations of motherhood — but it’s also its own kind of body-horror story, as its heroine finds herself indulging in the urge to swallow things that were never intended for human consumption. These increasingly disturbing spectacles are enfolded in a movie that’s otherwise mesmerizingly beautiful, like a dream that gives way to a nightmare before dumping you, abruptly, back into the land of the living.

Shannon Hoon died much too young when, on October 21, 1995, the 28-year-old Blind Melon singer suffered a fatal drug overdose on his tour bus. During the five years before that calamity, the vocalist diligently recorded his life, from humble, trouble-wracked days in his native Indiana, to Los Angeles recording studios with Guns ‘N’ Roses, to the road with his alternative rock band, which eventually hit it big with the ubiquitous “No Rain.” All I Can Say is the inviting and heartbreaking story of that tumultuous period, told almost exclusively through Hoon’s own self-shot footage. That approach makes the documentary, on the one hand, an autobiography of sorts, although co-directors Danny Clinch, Taryn Gould and Colleen Hennessy do much to enhance their archival material through a canny editorial structure that uses schizoid montages and sharp juxtapositions to capture Hoon’s up-and-down experience coping with fame, impending fatherhood and addiction—the last of which is more discussed than actually seen. There’s no need to be an alternative rock fan to warm to this intimate portrait, which radiates sorrow for a vibrant life cut short. See extra information at Popcorn Tales.

Kodi, formerly called XBMC, is a free and open source media player. It’s a highly customizable media player that you can use on your laptop or desktop to get a media center experience. Just in case you’re missing Windows Media Center on Windows 10, Kodi is a great alternative. This contender for the top media player for streaming content is even better if you’re using it with an external, larger display because of its 10-foot user interface. In the recent past, Kodi has been in the headlines due to pre-loaded Kodi boxes and add-ons that support piracy. Kodi plays almost all popular video and music formats, podcasts, and other digital media stored locally or on the internet. Initially, Kodi was independently developed and called Xbox Media Center for the 1st gen Xbox gaming console. This recommended media player also has plug-ins that can be used to expand its features and include functionalities like Netflix, YouTube, Hulu, Veoh, etc. Kodi’s source code is open source and developed by a global community of unpaid volunteers.

The systemic culture of indifference and cruelty that often forms around a powerful serial abuser gets put under the microscope in this studiously observed New York office drama, which draws inspiration from the behavior of Harvey Weinstein while intentionally blurring some of the details. We never learn the name of the tyrannical boss in the story and the exact nature of his crimes are never fully revealed; instead, Julia Garner’s assistant Jane, a Northwestern grad fresh off a handful of internships, provides our entryway into the narrative. The movie tracks her duties, tasks, and indignities over the course of a single day: She makes copies, coordinates air travel, picks up lunch orders, answers phone calls, and cleans suspicious stains off the couch. At one point, a young woman from Idaho appears at the reception desk, claims to have been flown in to start as a new assistant, and gets whisked away to a room in an expensive hotel. Jane raises the issue with an HR rep, played with smarmy menace by Succession’s Matthew Macfadyen, but her concerns are quickly battered away and turned against her. Rejecting cheap catharsis and dramatic twists, The Assistant builds its claustrophobic world through a steady accumulation of information. While some of the writing can feel too imprecise and opaque by design, Garner, who consistently steals scenes on Netflix’s Ozark, invests every hushed phone call and carefully worded email with real trepidation. She locates the terror in the drudgery of the work. Read extra details on https://www.popcorntales.com/.

Flixtor.one the best movies free online today? No matter that her characters are plagued by malevolent supernatural forces, Natalie Erika James’ directorial debut is a thriller with grimly realistic business on its mind. Called back to their rural Australian childhood home after matriarch Edna (Roby Nevin) goes temporarily missing, Kay (Emily Mortimer) and daughter Sam (Bella Heathcote) discover that the past refuses to remain dormant. The specter of death is everywhere in this rustic residence, whose cluttered boxes and myriad artifacts are reflections of its owner’s mind, and whose creepy wall rot is echoed on Edna’s aged body. Edna’s vacant stares and strange behavior are the catalyst for a story that derives considerable suspense from unnerving set pieces and, more pointed still, the question of whether everything taking place is the result of unholy entities or the elderly woman’s physical and mental deterioration. That balance is key to Relic’s terror as well as its heart, both of which peak during a claustrophobic finale set inside a literal and figurative maze, and a coda that suggests that there’s nothing scarier, or kinder, than sticking with loved ones until the end.

The tony Pennsylvania prep school in which Tayarisha Poe’s nimble debut takes place might bring to mind mean-rich-kid chronicles like Cruel Intentions — but it has more in common with Rian Johnson’s 2005 baby-faced neo-noir Brick. Selah and the Spades is a teen drama in which the line between social clique and mob family feels incidental, taking place in a boarding-school bubble that’s enthralling and insular, privilege serving as a kind of leveling agent that makes day-to-day skirmishes for dominance the only thing that matters. And at the still center of this surprisingly tumultuous world is Selah (Lovie Simone), a character whose desire for a successor wars with her instinct to destroy anyone who challenges her place — even when it’s someone of her own choosing. It’s a compelling portrait of someone who, having made herself the queen of this limited kingdom, finds herself terrified of life when she leaves.

Choosing a movie to watch isn’t a fraught decision if you know who to trust. That’s the simple idea driving this list, which will be consistently updated and meticulously rearranged throughout the year. With some films getting their release days moved and others premiering early on VOD because of the ongoing global pandemic, this is already a strange, challenging year for the movie industry. But, like last year, we’ll still do our best to keep you in the loop on the explosion-filled blockbusters you can’t miss and the more intimate smaller films you must seek out. If it’s good, we want it on here. Discover extra information on flixtor.

Gavin O’Conner (Miracle, Warrior) is modern cinema’s preeminent sports-drama director, a status he maintains with The Way Back, a conventional but deeply felt story about addiction, anger and the rough road of rehabilitation. Reuniting O’Conner with his The Accountant star, the film concerns Jack Cunningham (Ben Affleck), a former high-school basketball phenom who, in the wake of multiple familial losses, gets through his construction-work days and wayward nights with a perpetual drink in hand. By means of a job coaching his Catholic alma matter’s struggling team, Jack is blessed with a shot at salvation, turning around the fortunes of his players and, by extension, his own life. Subdued and melancholy, Jack’s journey is a familiar one, and yet O’Conner and Affleck – the latter turning in an expertly modulated, interior turn – shrewdly locate their protagonist’s alcoholism as the self-destructive byproduct of regret, resentment, fury and hopelessness. Also generating pathos from agonized father-son traumas, it’s a male weepy that, courtesy of its well-calibrated empathy, earns its melodramatic tears.

5KPlayer, the final entry on the list of recommended Windows media players, is a top-rated video player for Windows 10 as it’s extremely compatible. It claims to play almost all kinds of videos and music without any plug-ins, and it actually delivers. Its interface is very clean and simple. It’s also known for its more streaming options. 5KPlayer also lets you import videos and music from websites like YouTube, Facebook, Vimeo, MTV, etc. It goes without saying that it’s compatible with common formats like MP4, MOV, M4V, MP3, AAC, etc.

flixtor.one is a fully automated video search engine. It does automated scans of streaming websites and lists the best quality videos it found. With flixtor.one, you can easily find and watch movie, tv shows for free in high qualty without registration. See extra info on this website.

See the best tv movies online? In its rough outlines, Neasa Hardiman’s film isn’t all that different from any number of unspeakable-menace-at-sea horror flicks, but this chiller — about an Irish fishing trawler that is attacked by disease-baring parasites secreted by a mysterious deep-sea creature — also has a fully realized, lived-in quality: You can smell the oil, sweat, and salt, and hear the grind of motors and murmur of sailors. That enhances both our terror as well as the film’s eerie, unintentional resonance: It will feel uncomfortably familiar to an audience newly obsessed with the anxious mechanics of infection and exposure and quarantine. Still, the movie works not because it was released during a pandemic, but because Hardiman wisely builds suspense from uncertainty, as our heroes are terrorized by the agonizing solitude of the open sea and a nemesis that is practically invisible.

Andrew Patterson’s The Vast of Night is a marriage of the old and the new, blending effects-aided cinematic showmanship to old-school radio drama. In the director’s sterling feature debut (written by James Montague and Craig W. Sanger, and framed as an episode of a Twilight Zone-ish show called “Paradox Theater”), two 1950s high schoolers – confident radio DJ Everett (Jake Horowitz) and telephone operator Faye (Sierra McCormick) – stumble upon a strange signal that, they come to suspect, originates from the stars looming above their small-town-USA home. Like Orson Welles’ classic 1938 The War of the Worlds broadcast, the film is a tale of potential invasion that plays out over radio waves, and Patterson thus naturally focuses on intently listening faces, and the spoken words that captivate them, as a means of generating anticipation, mystery and suspense. At the same time, his centerpiece sequences are models of formal precision and depth, as protracted shots across sprawling fields, through crowded gymnasiums, and in and out of cramped buildings create pulse-pounding tension while simultaneously conveying the propulsive flow and binding, interconnected nature of narrative storytelling itself.

Arriving on streaming in the middle of a pandemic, a time when many lives have fallen into unceasing loops of quarantine-related repetition and tedium, the Lonely Island produced comedy Palm Springs perhaps resonated differently than when it premiered at Sundance earlier this year. Jokes about doing the same shit over and over just hit harder now. Tracking a romance between a goofball wedding guest (Andy Samberg) and the bride’s self-destructive sister (Cristin Milioti), writer Andy Siara’s clever script combines Groundhog Day existentialism with a quippy take on quantum physics, doling out inspirational life lessons and math cram sessions at a clipped pace. In the same way Tom Cruise had to battle aliens in Edge of Tomorrow, the two must relive a wedding over and over, struggling to escape from an Instagram-ready, celebratory hell. It might not be as purely funny as Samberg’s other big screen adventures Hot Rod and Popstar, but Palm Springs finds its own winning spin on a surprisingly robust micro-genre. Read additional information on watch tv series online free.

Back in 2015, Plex made a big change and replaced their Plex Home Theater with its new Plex Media Player. Plex lets you easily take care of your large media collection, which can include anything like videos, TV shows, movies, photos, personal videos and music, etc. It organizes your collections and makes it look great. With its easy-share nature, you can pick and choose what to make public and give your family access. It supports almost all file types, including hi-fi music and video formats. As it’s Chromecast supported, you can cast the videos on your larger TV screen. You can also use the Plex app on your phone or tablet to take control of your player. Use this app to streamline your video content library and get the advantage of a feature-rich video media player as well.

The modern gig economy receives a thorough thrashing by Ken Loach’s Sorry We Missed You, another sober class-conscious drama from the celebrated British director. Faced with limited professional options, Ricky (Kris Hitchen) gets a job as a delivery driver for a company that doesn’t technically hire him; rather, he’s “self-employed,” meaning the onus for everything falls on his shoulders. That proves to be an arduous state of affairs given that his wife Abbie (Debbie Honeywood) is a home care nurse who works long hours (also for “herself”), and their son Seb (Rhys Stone) is a school-skipping, graffiti-spraying teen who – having seen the incessant, back-breaking toil and anxiety that comes from his parents’ chosen paths – has opted instead for delinquency. As hardships mount, Loach incisively details the major and minor ways in which this contractor-oriented paradigm is fundamentally rigged against workers. His despairing condemnation is all the more wrenching for coming via a deeply empathetic portrayal of an everyday clan buckling under the strain of unjust forces out of their control.

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Watch top movies online? No matter that her characters are plagued by malevolent supernatural forces, Natalie Erika James’ directorial debut is a thriller with grimly realistic business on its mind. Called back to their rural Australian childhood home after matriarch Edna (Roby Nevin) goes temporarily missing, Kay (Emily Mortimer) and daughter Sam (Bella Heathcote) discover that the past refuses to remain dormant. The specter of death is everywhere in this rustic residence, whose cluttered boxes and myriad artifacts are reflections of its owner’s mind, and whose creepy wall rot is echoed on Edna’s aged body. Edna’s vacant stares and strange behavior are the catalyst for a story that derives considerable suspense from unnerving set pieces and, more pointed still, the question of whether everything taking place is the result of unholy entities or the elderly woman’s physical and mental deterioration. That balance is key to Relic’s terror as well as its heart, both of which peak during a claustrophobic finale set inside a literal and figurative maze, and a coda that suggests that there’s nothing scarier, or kinder, than sticking with loved ones until the end.

At first blush it’s easy to dismiss Birds of Prey. But this feverish spectacle directed by Cathy Yan and scripted by Christina Hodson is a triumph that takes the typically limp superhero genre and injects it with life and bravado as it traces Harley Quinn’s (played by a brilliant Margot Robbie) emancipation from the shadow of her relationship to the Joker. What could have been a trifle turns out to be a rich reimagining of Gotham City into a glittery haven for criminals like Ewan McGregor’s prancing Black Mask and his right hand, Victor Zsasz (Chris Messina stealthily turning in one of the best performances in the film), who are nipping at Harley’s heels over a lost diamond. The plot is besides the point. What matters is the visceral experience. The costume design by Erin Benach is iconoclastic, drenching Harley in a confetti-and-caution-tape aesthetic. The supporting actors give surprisingly realized turns, especially Mary Elizabeth Winstead as the awkward but committed assassin Huntress on a mission of vengeance, and Jurnee Smollett-Bell’s high-kicking fearsome Black Canary. What makes the film sing at the right register of pleasure is its commitment to crafting some of the most audacious, eye-catching, and bone-crunching action set pieces that brim with humor and complication thanks to stunt coordination and fight choreography by Chad Stahelski. We got to see the film four times in theaters before all of this happened, and with each viewing our hearts burst with more appreciation for this scrappy, wild, bombastic film.

In short stories like The Lottery and novels like The Haunting of Hill House, Shirley Jackson conjured unease, tension, and queasy strangeness that made them difficult to put down. Fittingly, Shirley, an adaptation of a novel by Susan Scarf Merrell, examines a highly pressurized moment in the author’s life that makes for occasionally nerve-rattling viewing. As played by Elisabeth Moss, Jackson can be temperamental, brilliant, and cruel, especially to Rose (Odessa Young) and Fred (Logan Lerman), the newlywed couple that move into the paper-strewn house she shares with her controlling professor husband (Michael Stuhlbarg). Where Decker’s previous exploration of the creative process, the dizzying Madeline’s Madeline, took an often nonlinear, combustible approach, Shirley retains some of the stuffy mechanics of the writerly biopic, particularly in the scenes of Jackson typing away at what will become her novel Hangsaman. (That book, which was partially inspired by the real-life disappearance of college student Paula Jean Welden, was written earlier in Jackson’s life than the movie portrays.) But Moss’s mischievous performance, the subtle interplay between the two women, and the feeling that the movie could tilt over the edge into chaos, chasing darker impulses and rolling around in the mud with Decker’s roaming camera, keeps it from falling into many of the traps set by the often worshipful “great artist” micro-genre. See even more details on watch tv shows online free.

The modern gig economy receives a thorough thrashing by Ken Loach’s Sorry We Missed You, another sober class-conscious drama from the celebrated British director. Faced with limited professional options, Ricky (Kris Hitchen) gets a job as a delivery driver for a company that doesn’t technically hire him; rather, he’s “self-employed,” meaning the onus for everything falls on his shoulders. That proves to be an arduous state of affairs given that his wife Abbie (Debbie Honeywood) is a home care nurse who works long hours (also for “herself”), and their son Seb (Rhys Stone) is a school-skipping, graffiti-spraying teen who – having seen the incessant, back-breaking toil and anxiety that comes from his parents’ chosen paths – has opted instead for delinquency. As hardships mount, Loach incisively details the major and minor ways in which this contractor-oriented paradigm is fundamentally rigged against workers. His despairing condemnation is all the more wrenching for coming via a deeply empathetic portrayal of an everyday clan buckling under the strain of unjust forces out of their control.

Kodi, formerly called XBMC, is a free and open source media player. It’s a highly customizable media player that you can use on your laptop or desktop to get a media center experience. Just in case you’re missing Windows Media Center on Windows 10, Kodi is a great alternative. This contender for the top media player for streaming content is even better if you’re using it with an external, larger display because of its 10-foot user interface. In the recent past, Kodi has been in the headlines due to pre-loaded Kodi boxes and add-ons that support piracy. Kodi plays almost all popular video and music formats, podcasts, and other digital media stored locally or on the internet. Initially, Kodi was independently developed and called Xbox Media Center for the 1st gen Xbox gaming console. This recommended media player also has plug-ins that can be used to expand its features and include functionalities like Netflix, YouTube, Hulu, Veoh, etc. Kodi’s source code is open source and developed by a global community of unpaid volunteers.

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Film finance US by Global Harbor Corp? Soundstages in film support efficient, affordable, and seamless production on site. The creation of a soundstage under Global Harbor Corporation will enhance the logistics and the costs of future film management and marketing. It also assists the production crew in maintaining a strict schedule in the plan and execution of filmmaking and provides long-term employment for the studio’s local community.

A business professional out of the Universitie of Umea and the University of Gävle, Sweden, Magnus is a corporate business unit and operational strategy expert with 20 years of experience across organizational functions with SCRUM (CSM), E-PROPS, C-PROPS, PRICE 2, TOGAF 9 Foundation and ITIL Foundation certifications. His experience spans a wide range of industries / business sectors which include Information Technology and Telecommunication, Software Development, Retail, Financial, Public Sector and the Entertainment industry. He has successfully delivered complex projects in 57 countries and on six continents. He routinely manages budgets in excess of 3 Billion dollars.

Behind the Billboards is a US-based international development company, creating and developing premium content for global audiences. We build upon an understanding of the global film and TV industries that can only be achieved through experience. We work with creatives in every global territory to help them raise their script, storytelling, packaging and production standards to a level where their content can be sold to a top tier streaming platform, studio or network. Discover extra information on Independent film productions US.

?Europe Studios will fund European production with the goal of supporting and growing creative talent in the industry. It will create a venture in which commercial and the large-scale film is produced in Europe with tax incentives coming back to Europe. Through such strategies, every aspect of a high-end production will receive the funding and the expertise needed to produce content that can be distributed internationally, via streaming platforms and penetrate the largest market, the United States.

The Global Harbor Corporation introduces a strategic initiative in which independent filmmakers and production companies are provided the financial investment needed to transform screenplays, present exceptional talent, and ensure that production and distribution from the US to European markets receive the expertise and resources needed to advance in film and television. Discover additional details on https://www.globalharborcorp.com/.

Is Major Movie Star a formidable cult movie? If Major Movie Star was a failure at the American box office, he is nevertheless brilliant and cult by his writing and the many references it contains.

Jessica Simpson is amazing as Megan Valentine, a successful actress who loses everything and finds herself in a world opposite to her: that of the army. She knows how to play well on all levels and is a good actress. Vivica A. Fox is scary as Sergeant Morely, but she does that, because that’s her job, and as a result, I appreciate this character better and better as the story unfolds. Simpson’s sidekicks are also excellent, when to Ryan Sypek, I think he makes a nice couple with Jessica.

This film is a duel between the artistic world and the realistic world of the army, while demonstrating the superficiality of the 1st universe, facing the hardness of the second, thus giving a contrast between the two for the spectator. And through this, if Megan may seem futile, she never was, but is just aware of the world she lives in and therefore, I feel sorry for her.

There are a lot of references, whether it’s at the level of the dialogues, the names or the situations mentioned. For example, when Megan talks to the dog, it makes you think of the film « Beethoven » or when Petrovich quotes one of Megan’s films «disco balls in time», which refers to « Austin Power Goldmember ». Megan Talks to her car and I saw a big wink at k2000, not to mention when Nigel calls Amber “Catwoman” or when Megan is cheated by her boyfriend, who has an affair with her art agent, as was the character of Lester in the movie “American Beauty”.

I also perceived references with the names of the characters, because Steve Guttenberg plays Sidney, an agent and it reminds me of the series Alias, because Jennifer Garner plays Sidney Bristow, an agent. I also see a reference to Scary Movie, because Kurt Fuller and Cheri Oteri are both in that movie, not to mention “Carrie”, when Nigel said to Megan, “These rules were of Satan”. I also feel a big wink to Police Academy, a policeman who puts chaos in his police academy played by Steve Guttenberg, while Megan makes a mess in an army. I would even say that it may also refer to the Disney movie “Cadet Kelly”, because of the situation of seeing a woman in the army, while observing that the actress Aime Garcia also played in this TV movie.

Finally, there are so many references at the level of dialogues or scenes played, that it makes the film cult and brilliant by its writing and that it must be rehabilitated, because it is just a masterpiece. View the movie review here Major Movie Star Review.

As we embark on what has almost been a century since the first “talkie” film premiered, cinema, or all forms of television production for that matter, are now smack dab in the middle of another seismic step in its evolution. Streaming.

Even when the most senior media companies-Disney, NBCUniversal, WarnerMedia-appeared to be somewhat reluctant or hesitant to transition into this new era of consuming and devote a substantial amount of resources to that business model transformation, they eventually conformed nonetheless.

I use the term “conform” very deliberately. This is simply to say that this phenomena (streaming) could not be halted, controlled, nor restrained by or to any sole company-no matter how influential or powerful that company may be.

We see this playout through the seamlessly endless amount of existing companies that have created or, perhaps, adopted streaming platform divisions and new companies that have been created solely for streaming as well. Such an influx has established this uber-competitive arena for streaming.

Although we are in this evolutionary period, it has been hard to “keep up” for many. That is, many consumers feel confused, haggled, and simply bombarded by the amount of streaming platforms chasing after their paid subscription. Even if subscriptions to each streaming platform may be “cheap” individually, every platform may have one piece of content you wish to watch. Before you know it, your cost of television and consumption is no longer cheap, but far from it.

There is, although, a surprisingly select, short-list for a certain, specific type of streaming platform-those of which are completely free. Here is a list of the top five free streaming platforms on the market now.

• CW

The CW is without a doubt the most well-known and mainstream network on this list. CBS and Warner Bros., the two juggernaut media companies who partnered to create and launch the network, have gained a remarkably widespread and awfully popular following.

The network has seemed to have adopted and applied the “less is more” strategy and style. The network makes extremely keen and specific selections for which television series they choose to greenlight. For that reason, the network not only solely focuses on producing series (avoiding documentaries, films, etc.), but they’ve also made the conscious effort to cater to and concentrate entirely on that target audience without much deviation.

They most likely don’t view the need for “variety” because the shows they do have create more than enough of a viewership for the network. With series such as Flash, Supergirl, Arrow, Black Lightning, All-American, Supernatural, and Riverdale, who can blame them.

The network has established their loyal audience and deems it unnecessary to stray away from it. If “keep it simple stupid” was a streaming platform, it would be the CW. If you love cheesy yet, oddly satisfying and binge-worthy superhero shows, or if you’re into dramatic and suspenseful thrillers you will find the CW very welcoming to you. Plus it’s free!

• Vyre

On the other end of the spectrum we have Vyre network. Simply put, if you’re in the mood for- I mean, anything really, chances are Vyre’s got you covered. From full on films, short films, documentaries, and television series to music video playlists, live events including concerts, and stand-up comedic performances to different channels dedicated to sports, family palatable content, and music.

Aside from Vyre, I have truly never experienced such a diverse set of content. It genuinely motivates and compels you to explore every corner of the platform. On top of this, Vyre’s content is unique within itself.

If you’re deep enough down the entertaining rabbit hole Vyre creates, you will find a good amount of films, series, etc. that are particularly raw, intimate, and just practical. Thus, they create this personable, realistic experience within the viewer. Not many streaming services opt for independent films and series; Many quickly flock to the mainstream, but not Vyre. It’s refreshing to experience such a platform.

In a small focus group dedicated to producing feedback about the network, these were the two largest takeaways. In the end, not many streaming services can label themselves as a free unique, refreshing, diverse, and intimate platform. This is what Vyre brings to the table.

• IMDBTV

For the exception of Rotten Tomatoes, most of you may know IMDb as the leading site for criticizing or rating newly theatrical released films. Many are entirely unaware of the streaming service they created to capitalize off of their sizable brand name within the television industry.

I saw a comment once labeling IMDbTV as the streaming service for cast-away, forgotten shows and movies. In my view, though the service may have several shows and movies that are “forgettable”, I am willing to bet, from what I’ve seen at a glance, that the platform has enough of a “respectable” and appealing selection.

From Psyche, Forensic Files, and Zero Dark Thirty, to films such as Snowden, Rain Man, and Momento, the service undoubtedly has enough options to make itself legitimate and keep viewership somewhat durable. It’s definitely worth your free time.

We’d be having a far different conversation if IMDbTV was a paid streaming service; But it’s not and nonetheless still holds some weight. It’s issue may not be what they can provide their viewers so much as it may be marketing themselves as a company with a streaming service, not just one that critiques films.

• PlutoTV

The PlutoTV experience is unlike any other streaming service both aesthetically, in structure, and in visualization. However, in a weird way, it’s quite familiar to television, as we may have experienced and described it before the phenomenon of streaming bulldozed the market.

Let me explain. Let’s just say PlutoTV’s framework and visual structure/design is more than reminiscent of live cable television. This ad-supported streaming service features two main spaces- “LiveTV” and “On Demand”. Because they in fact have a LiveTV selection of cable channels for free, many individuals have labeled the service as illegitimate and, even, illegal.

Admittedly, I too questioned the service’s legitimacy at first, but once I moved past the precarious maneuvering and navigation of the platform, you’ll find PlutoTV to be extremely fascinating. Many of cable television’s most popular channels like CNN, CBS, the NFL Network, MTV, BET, and more are available to watch free of charge on PlutoTV-with ads obviously.

This, more so than their more “On Demand” real streaming selection, is the most appealing element of this service. There isn’t anything exclusive or unique on PlutoTV, but there sure will be something you watch. If you can move past the seemingly questionable presentation of the platform, you’ll be sure to enjoy some of the things they have on here.

• Tubi

Tubi, similarly to the CW, Crackle, and PlutoTV, is ad-supported. Thus, this is the first common compromise many viewers of free streaming services must make. I would paint Tubi’s experience as very similar to PlutoTV’s “On Demand” feature.

The answer is no. Tubi does not currently produce or create live content. Instead, the service only indulges in and leans already produced content from companies like Paramount, Lionsgate, and MGM. That isn’t to say they never will; I mean, we’ve witnessed Amazon, Netflix, and more services begin to produce their own content.

The selection of its content is very hit and miss which is in a way, quite disappointing that it has no added wrinkle. With PlutoTV, as noted, the captivating element is its LiveTV feature. Tubi has no such thing. Its catalog, though not over-the-top amazing, is still worth going through and exploring. I mean, what do you have to lose? It’s free right? It’s why we’re here in the first place.

As a parent, trying to find a positive show that the whole family can enjoy is difficult – especially with the overwhelming amount of shows that are violent and include inappropriate comments that are not meant for young children. Also as a parent, if you are able to find a show that is great for kids, then it is not interesting to the other members of the family. However, there is a show that is perfect for the entire family: McClure Twins Family Values.

The McClure Twins Family Values is a family based show that is both honest and fun. It includes parents Justin and Ami, their youngest son Jersey, and the title family members -twins Ava and Alexis. Ava and Alexis are funny and sweet sisters who have a bond like no other! The family does so many activities like making slime, dancing together and helping around the house while exploring important family values.

Justin and Ami are a very large part of McClure Twins Family Values. Throughout the show, the parents give parenting advice as they discuss how they balance their busy lives with three children. Everything the McClure Family does feels genuine as they show us that family is not perfect because it’s not meant to be.

Check out McClure Twins Family Values on Vyre Network’s Family Channel, which is available in 113 countries worldwide on Apple TV, Roku, Amazon Fire, Android, IPhone, and web. Download Vyre Network now at Watchvyre.com

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Here’s a conversion program you download and run on your Windows PC or Mac. The basic version of 4K Video Downloader is free. If you want to cut out the ads, download YouTube playlists and channels, and receive future updates to the software, the premium version costs $15 for three personal licenses. With 4K Video Downloader, you can convert and download YouTube content as video or audio files. For audio files, you can choose among MP3, M4A, and OGG formats, and opt for the original quality, high quality, medium quality, or low quality.

Converting YouTube to MP3 allows you to listen to music from a video offline, whenever you like, or turn your favorite YouTube’s channel into a podcast that you can enjoy when you’re working. Bear in mind that you should only download content when you have the copyright owner’s permission. YouTube’s terms of service explicitly prohibit unauthorized downloading. Read more information at youtube to mp3.

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If Blonde Ambition which is an independent film was a failure at the American box office, but a success in other countries, it remains no less cult and here are the reasons.

First: her casting. Jessica Simpson plays the sparkling Katie Gregerstistch perfectly and I love seeing her on screen. As for Luke Wilson, who interprets Ben, a reserved man, I think they are very well together. The character of Mr Connelly, camped by Larry Miller is incredible as a busy business leader, not to mention Peneloppe Ann Miller and Andy Dick as villains of the story, who do everything to sabotage Richard and Katie, they are just beautiful.

The character of Ben, played by Drew Fuller is as well played, when to the character of Willie Nelson in the role of Papi, he brings a paternal touch to the story, which makes the story touching. But for me, my favorite character is Betty, played by Karen Mcclain whom I love. She is just phenomenal!! Thank you Karen, you are magical !!! Special mention to Rachael Leigh Cook, whose character of Hailie is very well played too !!

Second: his story has a lot to do with his cult status, because even though it was announced that it was a kind of remake of «Working Girls», it makes me think more of «Legally Blonde», about the fact that Katie, a naive girl, was dumped by her boyfriend and changes of life just like Elle Woods in the revenge of a blonde and just for that fact, it gives a hell of a wink to the film, especially as Luke Wilson also played in the revenge of a blonde.

The scene where Katie is having lunch at the restaurant with Debra and Freddy reminds me of “Miss Congeniality” or Sandra Bullock eating with Victor. Kathie also cites her native department Oklahoma, which can also make a reference to the 1955 movie where a cowboy loves two women, which is the case with kathie when she’s dressed as a cowgirl, but invites ben to throw the amber party, without it being a date, because she thinks too much about her old boyfriend Billy. When Katie and Ben take the Norwegians to a bar, they dress up as Vikings and I saw a nod to the movie “The Vikings” of 1958 with Kirk Douglas and Tony Curtis.

The scene of Katie’s makeover reminds me of the movie « Clueless », « Miss Congeniality », or « The Princess Diaries ». Watching Katie bend over backwards for Debra reminds me of “The Devil Dresses in Prada”, because “Anne Hattaway also does the same thing in this film with “Meryl Streep”.

In addition, the character «Ben» who says before bringing a pizza to Katie «you have a preference for the guys in the mail», made me smile, because it is a direct reference to an old Jessica Simpson movie: « Employee of the Month», when the character played by Jessica in the movie had a crush only for the employees of the month.

If the film says a few times that you have to read between the lines”, it’s not from one character to another character that they say that, but it’s the characters to the viewers, what causes a 4th wall and proves that this film is absolutely as well written, as awesome and just for that, it is cult !!

Thanks to the whole team for making this film!! Discover additional details on Blonde Ambition movie preview.